Dancehall star Capleton coming to Zimbabwe too!

The gig is slated for the Glamis Stadium in the Exhibition Park in December.

Capleton aka King Shango would be the fifth reggae/dancehall star to visit Zimbabwe in recent years after the likes of Luciano, Maxi Priest, Sizzla and recently Sean Paul.

Announcing the scheduled gig, Godfather Templeman in conjunction with Red Rose Entertainment said the gig was one of the many of the big shows to come next year.

“We are pleased to announce that we have clinched a contract with Capleton for a major gig on December 31. He is coming with a full band of 11 members including his engineer and a chef.

“The programme is being brought to Zimbabwe courtesy of Red Rose Entertainment and we are hoping it will be for everyone who loves reggae music..

“Basically, we have learnt from other major shows held this year and we are hoping to produce a fine tuned gig. Although Capleton respects local artistes he insisted on bringing his own band so that he delivers his very best in music,” Templeman said.

According to dancehallreggae.com it has been decades now that Rastafarian culture has been very dominant in Jamaica.

In earlier years, they were rigidly discriminated against and at one time they were even being referred to as “The Blackheart Man.”

“However, through their confidence and persistence, their religion has become so powerful that its traits can now be found on each corner of the globe. Nevertheless, it was music which is one of the more important factors that brought about this change.

Bob Marley, the reggae ambassador, was one of the first Rastafarians whose music and culture had a great impact on the world. On the other hand, as far as dancehall is concerned a young Ras who hails from the Parish of St Mary can be held liable for maintaining this culture through music, but from a different angle.

Born Clifton George Bailey III, Capleton is no longer taken aback that even though he is of African descent, his name is one third English, Greek, and Irish. As a youth growing up, he loved to talk and one day he intervened into a conversation with some of his friends and began to draw some important points.

They were very astonished and said to themselves, he must be lawyer Capleton, an infamous lawyer from St Mary at the time. From then on he was stuck with the name which he still uses whenever he makes appearances worldwide.

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However, it was in 1989 that he got his break even though he believes that he was musically inclined from a youth.

He feels that it was the manifestation of Jah that made him choose a career in music, although he was influenced musically by Bob Marley, Bunny Wailor and Peter Tosh. At the time, Papa San was his favourite deejay because he liked the length of his lyrics and so, it inspired him to create longer ones.

Unlike other artistes, it didn’t take Capleton very long to get his break. In 1989 Father Star had just returned to Jamaica with his sound system African Star to which Capleton got a link.

Even though he was unknown at the time, he made his first trip abroad to Canada for a stage show with the likes of Ninjaman and Flourgan.

The response from the crowd was great and as he returned to Jamaica he hooked up with Xterminator and did his first 45 called “Bumbo Red.”

The tune became a big hit in the dancehall and soon after more successful ones followed.

In spite of that, we have seen a new Capleton since then.

No more do we hear him uttering lyrics degrading women or insinuating any form of violence. Instead, his tunes are created in such a way that they have the capabilities to uplift or direct ones way of life.

However, this transformation did not come overnight, even though it seems to be the new trend in the dancehall. According to the deejay, his daughter said Selassie I when she was only three months old.

Also, through his experience in life, he has also seen where people tried witchcraft to counter the religion but they were unsuccessful so he went to seek what Rastafari was all about and from it he has gained an enormous amount of knowledge.

Also, to him the word is the power and he felt that too much slackness was in the music which needed to be cleansed and it was through Rastafari that he found the solution to all of the above.

Even though most Rastafarians look alike most of them belong to different orders. There is the Nyabinghi, which chants death to black and white down-pressors.

There is also Coptic which is the old Orthodox, Twelve Tribe, and Bobo Shanti.

However, Capleton sees Rasta as oneness but he endorses the Bobo order because the word Bobo means ‘humbleth thou thyself.’

In his opinion, Bobo is a man who forms their own delegation, implement their own methods, utilise their own aid, generate their own income, have their own food and water and most of all they do not partake in the system with which Babylon has provided us.

To him, all black people are Rastafarians because the word Ras means head and black people are the head of civilisation.

In contrast, one may ask the question how can Capleton claim to be so humble or God fearing yet we hear him uttering lyrics lashing out against people like Pope John Paul to the Queen of England. But the deejay declares that he himself cannot ‘bun’ anyone.

Each person only has the ability to ‘bun’ themselves through their works and their deeds. His intention is to strip the royalty of Babylon because they rewarded us with hatred for our love.

They did so by teaching us to rape, steal and kill. For instance, they stole our literature and taught it back to us in a different manner so as to infiltrate our minds with foolishness and other misconceptions.

As a result, the men do not see themselves as prince and prophets no more but as punks and guys. The women do not see themselves as queens, princesses or empresses anymore, instead they live like harlots and concubines.

Therefore, Capleton strives to retrieve the royalness, which Africans are used to by attiring, eating and speaking royal.

He states that life has taught him a lot and even though he believes in the Bible he reads it with an open mind a clean heart, a clear conscience and a firm meditation to find his own truth. He recommends that we do the same and not limit ourselves because the original copy has been edited immensely.

The deejay’s knowledge seems to be quite extensive which makes it hard to believe that he only went to regular primary and secondary schools in Islington, St Mary.

Still, he feels that most of the curriculum that is being taught in schools, will be non-beneficial to the youths in the future.

Instead of teaching about Marco Polo, Christopher Columbus, Napolean and Hitler, they should be taught about themselves with their kings and about the motherland so that they can know where they were coming from in order to focus ahead.

They need to hear about Ethiopia and the teachings of people like Marcus Garvey and about Emperor Haile Selassie. He feels that they need to know about the battle of Adwa (pronounced Adowa) and Mussilini.

They should be hearing about great men from their heritage and culture like Ras Muchanan and Menelik.

Babylon has tried to distract us from our origin and at no time should we limit ourselves to their teachings but instead we should try to read between the lines and seek our own knowledge.

Currently, Capleton’s latest project known as “I-Testament” is one of the hottest selling albums on the market.

The derivation of its name is from the fact that it protrudes some of the highest messages of the natural aspects of life.

It features 16 tracks, a few of which are produced by some the top producers in Jamaica like Sly and Robbie. It varies from hardcore dancehall to hip-hop with a touch of R&B.

The words of righteousness which echoes over the rhythms and throughout the interludes will allow your mind undergo a mental therapy and at the same time it will be open with new thoughts and ideas. Capleton does not totally have a single favourite on I-Testament.

However, he likes to listen to ‘East Coast To The West Coast’ because it shows that people cannot be governed by guns, money and materialistic things but shows that love is the key that will open all doors from the east coast to the west coast.

On numerous occasions you can hear Capleton associating himself with the David House Crew.

He explains that they are just some warriors who are burning some different kinds of fire. The crew consists of artists like Sizzla, Determine, Jah Mason, Jah Thunder, Militiary Man, Jah Fiery and a few others.

They did a collaboration called ‘Hail The King’ which was a big tune in the dancehall and we can look out for more potent tunes coming out from this cocksure group.

Possibly, you may see this on Rueben Productions, a label, which the deejay Capleton is planning to unveil soon. He chose the name because the Rueben tribe is blessed with excellence of dignity, unstable like water and is the beginning of strength. This label will be based in St Mary, Capleton’s home parish as he plans to break out a lot of youths, not only from surrounding area but also as far as Africa.

In closing, Capleton advises the youths and his fans to keep listening to the music because the music is an international language that speaks for itself in many different levels. by Jonathan Mbiriyamveka

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